A great discussion arose this week in Weiboconsidered the “China Twitter”, After a publication was shared where it was stated that “the Japanese anime is in decline.” The publication cited a China portal that suggested that, despite the long history of Japan in the anime industry and its renowned directors, The country has failed to create any great success in recent years.
This controversy coincided with the global success of Chinese animated films, such as the “Nezha” series, whose most recent delivery has exceeded 1.72 billions of dollars in profitsplacing itself as the world's highest animated film, revealing the growth of Chinese animation globally.
Some co -said with the idea that the Japanese anime has lost quality, mentioning that lately there is too much Isekai anime (that is, alternative worlds) and adaptations of light novels of cheap cutting. Others, however, defended that Japan is still strong with successes such as “Demon Slayer: Kimetsu no Yaiba”, which swept at the box office with his first film and showed that the Japanese anime remains very powerful.
But not everyone agreed. Others pointed out that, although the Japanese anime no longer has the same impact as before, it remains culturally dominant, and that comparing it with the Chinese anime is not fair. Although Chinese films are gaining ground, some criticized that animation quality is inconsistent, especially in large -scale productions.
In addition, from the artistic point of view the Chinese anime cannot compete with the works of directors such as Hayao Miyazaki or Katsuhiro Otomo, who achieve a depth of characters that many consider unique and unrepeatable. But what did the Japanese have to say about it?
- «The Japanese anime ended in the 2010».
- «After Madoka Magicaall successes are for a female audience. They are superficial things, without depth. Stories well done as Bakemonogatari and Madoka Magica They seem to have finished».
- «It is for you that they are adapting to anime even the most insignificant works».
- «If you don't like it, don't see it!».
- «That sounds like the Japanese wanted to rebuild their life!».
- «Dad, please improve the quality of your anime stories».
- «I asked some Chinese, and they said that in schools they force them to see them, so those numbers are a bit forced».
- «In fact, the Japanese do not see Isekai at all. It is for you, the Chinese, which are produced by mass».
- «That's true. Just as Greek philosophers ended with Socrates, the Japanese anime ended with Hayao Miyazaki. It does not seem that someone can overcome it».
- «If content appears that can overcome Narou, it will be deleted naturally. In fact, the creators of Shousetsuka or Narou tried to regulate and end the Teakai trend, but it is still popular, it is crazy!».
- «The anime of the 80s and 90s was much better. The ovas of that time had incredible quality and excited me. This type of culture is linked to the economy, so it was normal that there were better works when the industry had more impulse. Now, it seems that only the old ideas are recycling and stretching them without much purpose».
- «With so many similar works, it can only be overshadowed, but an Isekai without a trap or cheats is just a small part of Japanese culture».
- «This is the time for the Chinese anime to conquer the world».
Fountain: Yaraon!
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